Venezia Biennale – 50 years

For the 50 years jubilee of Venezia’s Biennale (both a famous international art event held in Venice every two years, and also the name of the committee that organises it), the Italian postal services produced on 12 April 1949 a commemorative stamp.  The stamp is attached to a 1903 Biennale’s postcard commemorating its 5th edition, and has been postmarked (ordinary annulment) on 19 January 1950.

Interesting to notice that the Biennale first happened on 30 April 1895, but its 50th birthday (the 25th Biennale), will actually occur 54 years after its foundation, because of two events that were missed during WWI and WWII.

This ‘travelled’ postcard was initially sent by Prof. Eugenio Rappa in 1903 from Venezia to someone in Varallo, on 10 May 1903, with original 1903 postmark (from the Venezia Post office) on the back.

Prof. Eugenio Rappa was a an artist and painter active during the 20th century, born in Munich (Bavaria, Germany) in 1886. He eventually relocated to Varallo where he died at age 72, in 1958. He was a dear friend of Prof. Morera, and the collection also has a bust of Prof. Morera made by him.

The postcard editor is Chappuis in Bologna.

Links:

Venice Biennale

Varallo National Gallery

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The Red Cross centenary – Japan.

Commemorating the 100 years since the foundation of the Red Cross, Japan issued a special stamp and postmark form the Tokyo Central post office on 24/June/1959.

The foundation of the Red Cross followed the ferocious battle of Solferino on 24/June/1859, where the French-Sardinians-Piedmontese armies, battling for the independence of Italy, met the Austro-hungarian army. In the battle nearly one third of the 300,000 combatants lost their lives.

The Swiss businessman Henry Dunant witnessed the horrifying results of the battle in the days that followed and was a prime witness of the generosity and compassion of the people of Castiglione delle Stiviere, which lent their homes to help the wounded. Despite being Italian territory, assistance to soldiers of both armies was given without question. Especially moving were the efforts of the local women which gave away all of their linens (at that time one of the most precious possession for a woman) to create bandages.

The report written by Dunant moved so many people that in 1863, in Geneva, the Red Cross was founded, creating the basis for International Humanitarian Rights Associations everywhere.

Prof. Luca annotation:

We can see here the peculiarity of the stamp and the postmark. The writing on the stamp “Nihon Yuubin” is in classical characters, but it’s written from left to right, as in all writings after 1945, so a modern stamp, which also has the mark “1959” following the Gregorian calendar. The postmark instead reads “34.6.24” denoting the 34th year of the Showa era (1959), June 24th. This Mixture of original Japanese and westerners is still common nowadays.

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Corippo – Switzerland

Small Mountain village, achieved recognition in the news because it will become a tourist hotel, with its main feature being disconnected from the outside, to guarantee complete relaxation (BBC News).

This maximum card is part of a series of “Picturesque views and Zodiac signs”. It carries the sign of the Scorpion, and was postmarked in loco with ordinary annulment on 24/October/1985. Produced by Shopfer, Verzasca valley, Association Maximaphilie Suisse. The colour photo is from Borelli Airolo, Canton of Ticino.

The small village was founded in 1224.

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Botticelli – The Spring

Commemorating the 550th year of the birth of Botticelli, the post office of the Principality Of Monaco issued a stamp and a postmark of the same theme on 24/October/1995.

The Stamp reprises part of the original painting form Botticelli: “The Spring”. The painting, is Tempera on Wooden Panel. The Origin of the painting is unclear, but it looks that it was made sometimes between 1481-1482 (When Botticelli was working in the Sistine Chapel, in Rome) and 1499 (when the inventory records list it as part of the Medici city palace). In his 1550’s Life Of Botticelli, Vasari speaks of viewing the painting in the Medici residence in Castello, but says that the painting contained female nudes (which is not the case).

Annotations from Prof. Morera

“The artist produced this painting [230x314cm] for the Castello’s residence acquired by Lorenzo and Giovanni De Medici. Following the death of Lorenzo the painting and the residence became property of Giovanni delle Bande Nere. In 1815 the painting was transferred from the residence in Castello to the Uffizi Museum in Florence. This Maximum card was created by Cesare Rialdi.

Beautiful work, Together with a particularly high quality engraving on the stamp”.

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